Marc Jacobs and Jessica Biel (whose Diane von Furstenberg dress is better suited....for some place else...)
Sarah Jessica Parker in Alexander McQueenPhotos courtesy of WWD
FOR REDHEADS AND EVERYONE ELSE...
Marc Jacobs and Jessica Biel (whose Diane von Furstenberg dress is better suited....for some place else...)
Sarah Jessica Parker in Alexander McQueen
Like most Sex And The City fans I was brimming with excitement to once again see the faces of Carrie Bradshaw, Samantha Jones, Miranda Hobbes, and Charlotte York, and watch the old girls dressed up in their $10M movie wardrobe budget finery. I couldnt wait for the main eye candy, aka THE CLOTHES, but forty minutes into SATC's 2 hours and 27 minutes 'romp' I started to get seat bum fatigue, thanks in part to an unsatisfying silk-thin plot which turns the Fabulous Four of glamorous New York City into a bunch of ungrateful complainers on their way to visit Lawrence of Arabia...
While the first Sex And The City film brought a happy, if bumpy, ending to Carrie, Samantha, Miranda, and Charlotte's years of singleton suffering which we all identified, laughed, and cried with, the second installment gives each of the characters a seemingly artificial reason to whine and complain, and make a mockery of SATC's loyal fans in the meantime. Why oh why didn't they make those 1980's flashback scenes longer?? Starting with Samantha's menopause, Miranda's frustrations with a chauvinistic boss, Charlotte's motherhood and perky nanny woes, and Carrie's lackluster relationship with Big (which by the way bored me to tears), none of those concerns felt convincing enough to take us out of the New York City we know and love.
As soon as the Fabulous Four touch down in Abu Dhabi (Morocco was actually the stand-in thanks to a no sex in their city filming ban by the UAE) all hell breaks loose. Sure, the all-expenses paid palatial hotel suite with personal butlers was eye-poppingly luxurious, as well as the chauffeur-driven sedans which conveniently trekked each of the gals through the desert, plus there was that powerful scene in the hotel suite bar between an emotional Miranda and Charlotte, but I could practically feel myself cringing as soon as Samantha (stealing scenes right and left) opened her Westernly mouth and suitcase, filled with a week's worth of revealing outfits better suited for a jaunt to Palm Beach. Throw in a very un-nostalgic appearance by Aidan, a handsome cocky Danish architect, an inevitable arrest, a horrifying display of souk brazenness, and I couldn't help but wish for an Aleksandr Petrovsky mirage...
